From the music archive: Georg Kröll

Connec­ting past and future in the present is a central theme for Georg Kröll. This aspect is not only of importance for the creative output of the German composer, who was born in Linz am Rhein on 3 May 1934, but also for his work in Hombroich. Since the first Insel­fes­tival was held in 1986, he has served as artistic consul­tant to the programme, with a parti­cular focus on New Music.

Georg Kröll attended Musik­hoch­schule Köln between 1953 and 1962, studying piano under Else Schmitz-Gohr and compo­si­tion under Frank Martin and Bernd Alois Zimmer­mann. On several occasions between 1960 and 1964, he took part in Darm­städter Feri­en­kurse – an inter­na­tional contem­po­rary classical music event taking place every summer in Darmstadt – and the Inter­na­tional Music Week festival organised by the Gaudeamus Foun­da­tion in the Nether­lands. At this time, he also became active as a pianist, inter­pre­ting New Music and playing as a chamber musician and accom­pa­nist. Having received the City of Cologne’s Förder­preis award in 1962, Kröll was given a scho­lar­ship to Villa Massimo in Rome in 1969/70. As well as this, his Tagebuch für Klavier coll­ec­tion won the German Music Edition Prize in 1999.

Since 1970, he has lived in Cologne, where he was a member of composers asso­cia­tion Gruppe 8 between 1969 and 1972, and lectured in compo­si­tion and music theory at the Rhei­ni­sche Musik­schule up until 1997.

The Georg Kröll archive in Hombroich contains sketches, drafts and manu­scripts of his sheet music and also recor­dings and publi­ca­tions of his earlier works. The catalogue of his works gives an insight into the material included here. Further sketches, drafts and score manu­scripts can be found in the archive of the Akademie der Künste in Berlin.