Maybe the island needs to be experienced rather than described.
Karl-Heinrich Müller
Karl-Heinrich Müller
Born in Düsseldorf as the son of a master shoemaker in 1936, Karl-Heinrich Müller discovered his passion for art while still a young man. He opened a real estate agency in 1958, which soon established itself as the first port of call for industrial buildings, with some 450 employees and offices all over Germany and Europe.
From 1968, Karl-Heinrich Müller began actively collecting 20th-century art, focusing on individual artist personalities such as Kurt Schwitters, Hans Arp, Jean Fautrier and Yves Klein. Just two years later, he had the initial idea of creating a museum as a way of giving something back to society. However, he was unable to find a suitable location until 1982, when he acquired the ‘Erft island’ just outside the city gates of Neuss. Here, Müller developed a unique space together with artists Gotthard Graubner (collection installation) and Erwin Heerich (architecture) and also with landscape designer Bernhard Korte (landscape).
Foundation origins
Over the course of 20 years, Karl-Heinrich Müller acquired a further 40 sites, some of which were in the direct neighbourhood. With the purchase of the former NATO missile base in Hombroich, he eventually added to the museum ensemble an innovative space for producing art.
In November 1996, Karl-Heinrich Müller contributed almost his entire art collection and all his sites in Hombroich – together with the buildings on a space of around 64 hectares – to Stiftung Insel Hombroich, a foundation that he set up together with the City and Rhine district of Neuss. To this day, its sole purpose remains to preserve and continue the museum and Raketenstation as intended by the founder, who died unexpectedly in November 2007, full of new ideas for the future of the project.
Since then, Stiftung Insel Hombroich has been evolving continually – all the time remaining true to the spirit of Karl-Heinrich Müller. As well as the extensive restoration of the exhibition pavilions, the organisational structures are expanding, aided by a comprehensive mission and strategy process that was introduced in 2021.
Mission Statement
Hombroich
Hombroich is the dynamic and diverse interplay of art, nature, buildings, collections, archives and people. The Hombroich site connects artists, scientists, foundation staff, volunteers and associated institutions. It was founded by the patron Karl-Heinrich Müller. Hombroich encompasses the material and intellectual legacy of the founding generation as well as developments and endowments arising from it. It is a place of creative processes, of experiments and their open-ended outcome. Hombroich sees itself as an island in a present of fast-paced life, utility orientation and consumption.
Foundation
Stiftung Insel Hombroich serves the Hombroich community and society as a whole. It was established by the founder together with the city and district of Neuss in order to preserve Hombroich’s place and concerns and to lead them into the future. The foundation ensures the negotiation of the various interests gathered there in order to further develop Hombroich in its entirety. To this end, it establishes committees and formats in which content and strategy are negotiated. The expertise of external parties is sought and incorporated. The foundation ensures that new generations of artists and scientists are present at Hombroich and that their voices are heard. The foundation is an advocate for nature, which is essential for Hombroich and which it cares for and preserves. Its actions are ecologically oriented. The foundation manages the collections and archives in its possession, researches them and makes them accessible to the public.
Organisation
Hombroich stands for self-responsibility and the reciprocal exchange between the people working there. Independent projects by those working at Hombroich are necessary for individual development and for the site as a whole. The foundation develops and supports suitable forms of organization. With the goal of diverse basic financing and the greatest possible autonomy, the foundation acquires public and private donors. It is responsible for and communicates the material concerns of Hombroich as a whole. The foundation is an employer of employees and a partner of artists, volunteers, sponsors and associated institutions. It establishes structures that reflect the diverse fields of activity of the actors and involve them in decision-making processes
Community
Hombroich is above all the people who work here. The ways in which they connect with the place differ in intensity and duration. In order to ensure that this open community also forms a continuum, the foundation establishes suitable rituals and formats. Hombroich is hospitality in action. The foundation’s attitude is that everyone is welcome at Hombroich. It enables those working on site to be multipliers of Hombroich in their own way. The foundation cultivates and shapes the relationship with the region — whether through contact with educational and cultural institutions or by engaging with the surrounding cultural landscape. Hombroich sees itself as part of international artistic and scientific networks. The foundation promotes their maintenance and expansion. It knows and understands the topics and competencies worked on locally and links them beyond Hombroich.
Public
Hombroich is an invitation to the whole of society. All people, regardless of their background and education, should be encouraged to perceive and act in an unbiased and self-determined manner. To this end, the foundation develops offers oriented toward dialogue. It bundles the programmatic activities of different actors in Hombroich and communicates projects developed there to the general public. The foundation makes it possible for Hombroich to participate in the professional discourses of the present based on its collection and knowledge stocks, also with its own programmatic impulses.
This mission statement was developed jointly by the stakeholders in Hombroich.